{"id":1288,"date":"2020-07-12T21:09:00","date_gmt":"2020-07-12T19:09:00","guid":{"rendered":"https:\/\/artmandel.de\/vokabile\/"},"modified":"2022-03-20T20:14:43","modified_gmt":"2022-03-20T19:14:43","slug":"vokabile","status":"publish","type":"page","link":"https:\/\/artmandel.de\/en\/vokabile\/","title":{"rendered":"Vokabile"},"content":{"rendered":"<div  class=\"grids-section grids-is-stretch\" style=\"--_gs-gap-desktop:0px 0px;--_gs-m-desktop:0 0 0 0;--_gs-p-desktop:0 0 0 0;--_gs-bg-desktop:transparent none;--_gs-bg-xp-desktop:0px;--_gs-zi-desktop:auto;--_gs-d-desktop:block;--_gs-mw-desktop:calc(100% - 0 - 0);--_gs-gap-tablet:0px 0px;--_gs-m-tablet:0 0 0 0;--_gs-p-tablet:0 0 0 0;--_gs-bg-tablet:transparent none;--_gs-bg-xp-tablet:0px;--_gs-zi-tablet:auto;--_gs-d-tablet:block;--_gs-mw-tablet:calc(100% - 0 - 0);--_gs-gap-mobile:0px 0px;--_gs-m-mobile:0 0 0 0;--_gs-p-mobile:0 0 0 0;--_gs-bg-mobile:transparent none;--_gs-bg-xp-mobile:0px;--_gs-zi-mobile:auto;--_gs-d-mobile:block;--_gs-mw-mobile:calc(100% - 0 - 0);--_gs-columns:3;--_gs-rows:1\"><div class=\"grids-s-w_i\">\n<div class=\"grids-area\" style=\"--_ga-column:1\/2;--_ga-row:1\/2;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<p>Music is colorful. <br\/>But how does this become clear?<\/p>\n\n<\/div>\n\n<div class=\"grids-area\" style=\"--_ga-column:2\/3;--_ga-row:1\/2;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<p>For the program &#8220;FarbT\u00f6ne&#8221; the vocal ensemble vOkabile has assigned individual colors<br\/>to the selected works according to their wording. The color panels, which were created to accompany the music, form a color counterpart to each song.<\/p>\n\n<\/div>\n\n<div class=\"grids-area p_no_margin\" style=\"--_ga-column:3\/4;--_ga-row:1\/2;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<p>I got myself immersed in what I see as a synaesthete: <br\/>on the colorfulness and breadth of a sound, its density or permeability, the<br\/>visible movement, the interweaving or floating of a rhythm, the depth of<br\/>a lament, dark excessive complexity and luminous blaze, vibrant<br\/>euphoria, flowing silence.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer abstand_mobil\"><\/div>\n\n<\/div>\n<\/div><\/div><div  class=\"grids-section vokabile_grid grids-is-stretch\" style=\"--_gs-gap-desktop:0px 0px;--_gs-m-desktop:0 0 0 0;--_gs-p-desktop:0 0 0 0;--_gs-bg-desktop:transparent none;--_gs-bg-xp-desktop:0px;--_gs-zi-desktop:auto;--_gs-d-desktop:block;--_gs-mw-desktop:calc(100% - 0 - 0);--_gs-gap-tablet:0px 0px;--_gs-m-tablet:0 0 0 0;--_gs-p-tablet:0 0 0 0;--_gs-bg-tablet:transparent none;--_gs-bg-xp-tablet:0px;--_gs-zi-tablet:auto;--_gs-d-tablet:block;--_gs-mw-tablet:calc(100% - 0 - 0);--_gs-gap-mobile:0px 0px;--_gs-m-mobile:0 0 0 0;--_gs-p-mobile:0 0 0 0;--_gs-bg-mobile:transparent none;--_gs-bg-xp-mobile:0px;--_gs-zi-mobile:auto;--_gs-d-mobile:block;--_gs-mw-mobile:calc(100% - 0 - 0);--_gs-columns:3;--_gs-rows:1\"><div class=\"grids-s-w_i\">\n<div class=\"grids-area\" style=\"--_ga-column:1\/2;--_ga-row:1\/2;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 10px 0 0;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 10px 0 0;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 10px 0 0;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(38,64,110,0.61);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/6pizetti-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(38,64,110,0.61);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Piena sorgeva la luna<\/p>\t<\/div><p style=\"font-size: 16px;\">Ildebrando Pizzetti (1880-1968)<br>Text: Manara Valgimigli (1876-1965)<br>nach Fragmenten von Sappho<br><br>Piena sorgeva la luna;<br>e intorno all&#8217;ara le fanciulle stettero<br>Intorno all&#8217;amabile ara le fanciulle cretesi,<br>in cadenza, coi molli piedi danzavano,<br>leggermente sul tenero fiore dell&#8217;erba movendo.<br>Le stelle intorno alla bella luna<br>velano il volto lucente,<br>quando piena, al suo colmo, argentea,<br>splende su tutta la terra.<br><br>Voll ging der Mond auf<br>und rings um den Altar standen die M\u00e4dchen.<br>Um den lieben Altar herum tanzten die kretischen M\u00e4dchen<br>im Rhythmus mit ihren weichen F\u00fc\u00dfen,<br>leicht \u00fcber die zarten Blumen der Wiese.<br>Die Sterne rings um den sch\u00f6nen Mond<br>bedecken ihr gl\u00e4nzendes Gesicht,<br>wenn er am h\u00f6chsten Punkt silbern<br>\u00fcber die ganze Erde strahlt.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(27,100,81,0.55);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/8mendelssohn-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(27,100,81,0.55);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Im Gr\u00fcnen, op. 59 No. 1<\/p>\t<\/div><p style=\"font-size: 16px;\">Felix Mendelssohn Bartholdy (1809-1847)<br>Text: Helmine von Ch\u00e9zy<br><br>Im Gr\u00fcn erwacht der Frische Mut,<br>wenn blau der Himmel blickt.<br>Im Gr\u00fcnen da geht alles gut,<br>was je das Herz bedr\u00fcckt.<br><br>Was suchst&#8217; der Mauern engen Raum,<br>du t\u00f6richt Menschenkind?<br>Komm, f\u00fchl hier unter&#8217;m gr\u00fcnen Baum,<br>wie s\u00fc\u00df die L\u00fcfte sind.<br><br>Wie holde Kindlein spielt um dich<br>ihr Odem wunderlieb,<br>und nimmt all&#8217; deinen Gram mit sich,<br>du wei\u00dft nicht wo er blieb.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(229,52,52,0.55);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/11morley-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(229,52,52,0.55);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Fyer, fyer!<\/p>\t<\/div><p style=\"font-size: 16px;\">Thomas Morley (1557-1602)<br><br>Fyer, fyer! My heart!<br>O help! Alas! Ay me!<br>I sit and cry me,<br>And call for help, alas,<br>but none comes nigh me!<br><br>Feuer, Feuer! Mein Herz!<br>Zu Hilfe! Ach! Oh weh!<br>Ich sitze und schrei<br>und rufe nach Hilfe, aber ach,<br>niemand kommt zu mir!<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(56,77,65,0.56);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/7praetorius_heller-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(56,77,65,0.56);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Nach gr\u00fcner Farb mein Herz verlangt<\/p>\t<\/div><p style=\"font-size: 16px;\">Michael Praetorius (1571-1621)<br><br>Nach gr\u00fcner Farb mein Herz verlangt<br>in dieser tr\u00fcben Zeit,<br>der grimmig Winter w\u00e4hrt so lang,<br>der Weg ist mir verschneit.<br>Die s\u00fc\u00dfen V\u00f6glein jung und alt,<br>die h\u00f6rt man lang nit meh;<br>das tut des argen Winters Gwalt,<br>die treibt die V\u00f6glein aus dem Wald<br>mit Reif und kaltem Schnee.<br><br>Er macht die bunten Bl\u00fcmlein fahl<br>im Wald und auf der Heid,<br>dem Laub und Gras all\u00fcberall,<br>dem hat er widerseit.<br>All Freud und Lust wird jetzo feil,<br>die uns der Sommer bringt.<br>Gott geb dem Sommer Gl\u00fcck und Heil,<br>der zieht nach Mittentag am Seil,<br>dass er den Winter zwingt.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(23,127,124,0.7);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/16bunt_sund-1-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(23,127,124,0.7);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Hallelujah!<\/p>\t<\/div><p style=\"font-size: 16px;line-height: 19px;\">Robert Sund (*1942)<br>Text: Leo Robin (1900-1984)<br>and Clifford Grey (1887-1941)<br><br>I&#8217;m recallin&#8217; the times when I was small,<br>in light and free jubilee days.<br>Old folks prayin&#8217;, ev&#8217;rybody swayin&#8217;,<br>Loudly, I chanted my praise<br>How I sang about the Judgement morn<br>and of Gabriel tootin\u00b4in his horn.<br>In that sunny land of milk and honey,<br>I had no complaints, while I thought of saints.<br><br>So I say to all who feel forlorn:<br>Sing &#8220;Hallelujah! Hallelujah!&#8221;<br>and you&#8217;ll shoo the blues away.<br>When cares pursue ya, &#8221; Hallelujah&#8221;<br>gets you through the darkest day.<br>Satan lies awaitin&#8217; and creatin&#8217; skies of grey, but &#8220;Hallelujah! Hallelujah!&#8221;<br>helps to shoo the clouds away.<br>Sing &#8220;Hallelujah! Hallelujah!&#8221;<br>Helps to shoo the clouds away.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(214,165,5,0.53);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/2kuula-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(214,165,5,0.53);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Auringon noustessa,<br>op. 11 No. 3<\/p>\t<\/div><p style=\"font-size: 15px;line-height: 19px;\">Toivo Kuula (1883-1918)<br>Text: V.A. Koskenniemi (1885-1962)<br><br>N\u00e4\u00e4, oi mun sieluni, auringon korkea nousu \/ ylitse kivisen kaupungin kattojen, katuin, \/ ylitse vuossatain valheen ja tuntien tuskan koittava kirkkaus!<br><br>N\u00e4\u00e4, oi mun sieluni, katoovan el\u00e4m\u00e4n autuus! \/ Niinkuin \u00e4\u00e4ret\u00f6n temppeli on se sun eess\u00e4s, \/ alla sen holvien on ikiaikojen \u00e4\u00e4net\u00f6n hartaus mestarin hengen.<br><br>N\u00e4\u00e4, oi mun sieluni, y\u00f6ss\u00e4kin korkehin kirkkaus, \/ tuskassa tummien hetkien rauha ja riemu, \/ vuossatain valheessa, el\u00e4m\u00e4n valheessa valkein, i\u00e4isin totuus!<br><br>Bei Sonnenaufgang<br>Sieh, meine Seele, den Sonnenaufgang, \u00dcber den D\u00e4chern und Stra\u00dfen der steinernen Stadt, \/ \u00dcber Jahrhunderte der L\u00fcgen und Stunden des Schmerzes erstrahlt der Morgen.<br><br>Sieh, meine Seele, den Segen unserer sterblichen Tage! \/ Wie ein unendlicher Tempel steht er vor dir, \/ in seinen Gew\u00f6lben liegt die ewige fromme Stille des Geistes des Herrn.<br><br>Sieh, meine Seele, in der dunkelsten Nacht das gro\u00dfe Strahlen, \/ in den dunkelsten Momenten des Schmerzes den Frieden und die Freude, \/ in Jahrhunderten der L\u00fcgen, in einem Leben der L\u00fcgen die reinste, ewige Wahrheit!<\/p><\/div><\/div><\/div>\n<\/div>\n\n<div class=\"grids-area\" style=\"--_ga-column:2\/3;--_ga-row:1\/2;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 10px 0 10px;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 10px 0 10px;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 10px 0 10px;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer abstand_desktop\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(221,62,44,0.63);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/10whitacre-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(221,62,44,0.63);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">A boy and a girl<\/p>\t<\/div><p style=\"font-size: 16px;\">Eric Whitacre (*1970)<br>Text Octavio Paz (1914-1998)<br><br>Stretched out on the grass<br>a boy and a girl<br>savoring their oranges<br>giving their kisses like waves exchanging foam.<br>Stretched out on the beach<br>a boy and a girl<br>savoring their limes<br>giving their kisses like clouds exchanging foam.<br>Stretched out underground<br>a boy and a girl<br>saying nothing never kissing<br>giving silence for silence.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(214,157,0,0.66);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/1brown-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(214,157,0,0.66);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Come unto these yellow sands<\/p>\t<\/div><p style=\"font-size: 16px;\">Christopher Brown (*1953)<br>Text: William Shakespeare (1564-1616)<br><br>Come unto these yellow sands,<br>Then take hands:<br>Curtsied when you have, and kiss&#8217;d,<br>The wild waves whist:<br>Foot it featly here and there;<br>And, sweet sprites, the burden bear.<br>Hark, hark!<br>Bow-wow.<br>The watch-dogs bark;<br>Bow-wow.<br>Hark, hark!<br>I hear the strain of strutting chanticleer<br>Cry, Cock-a-diddle dow.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(42,90,75,0.64);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/9reger-1-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(42,90,75,0.64);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Fr\u00fchlingsblick, op. 39 No. 3<\/p>\t<\/div><p style=\"font-size: 16px;\">Max Reger (1873-1916)<br>Text: Nikolaus Lenau (1802-1850)<br><br>Durch den Wald, den dunkeln,<br>geht holde Fr\u00fchlingsmorgenstunde,<br>durch den Wald vom Himmel weht<br>eine leise Liebeskunde.<br><br>Selig lauscht der gr\u00fcne Baum,<br>und er taucht mit allen Zweigen<br>in den sch\u00f6nen Fr\u00fchlingstraum,<br>in den vollen Lebensreigen.<br><br>Bl\u00fcht ein Bl\u00fcmlein irgendwo,<br>wird&#8217;s vom hellen Tau getr\u00e4nket,<br>das einsame zittert froh,<br>dass der Himmel sein gedenket.<br><br>&#8230;<br><\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(15,134,219,0.55);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/5stanford-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(15,134,219,0.55);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">The Blue Bird<\/p>\t<\/div><p style=\"font-size: 16px;\">Sir Charles.V. Stanford (1852-1924)<br>Text: Mary Coleridge (1861-1907)<br><br>The lake lay blue below the hill,<br>O&#8217;er it, as I looked, there flew<br>Across the waters, cold and still,<br>A bird whose wings were palest blue.<br><br>The sky above was blue at last,<br>The sky beneath me blue in blue,<br>A moment, ere the bird had passed,<br>It caught his image as he flew.<br><br>Blau lag der See am Fu\u00dfe des Berges.<br>Als ich aufsah, flog \u00fcber das kalte, ruhige Wasser \/ ein Vogel, dessen Schwingen von blassestem Blau waren.<br><br>Der Himmel \u00fcber mir war endlich blau,<br>der Himmel unter mir war Blau in Blau;<br>Kurz bevor der Vogel vor\u00fcbergezogen war \/ war sein Bild im Fluge eingefangen.<br>Blau lag der See am Fu\u00dfe des Berges.<br><\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(110,33,43,0.62);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/13jennefeldt-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(110,33,43,0.62);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Warning to the rich<\/p>\t<\/div><p style=\"font-size: 16px;\">Thomas Jennefelt (*1954)<br>Text: Jakob 5:1-6, 4:9<br><br>Come on you wealthy, weep and cry about the miseries that are coming upon you.<br><br>Your hoarded wealth has decayed and your clothes have become moth-eaten. Your gold and silver are covered with rust and the rust shall be evidence against you and as fire it will consume your flesh. See! The pay of the workmen that mowed your fields, the pay which you withheld from them is crying out and the cries of the reapers have entered the ears of the Lord!<br><br>You have been living an easy live on the earth, you have given yourselves upon to pleasures, you have condemned. And you have murdered the upright. Be miserable and grieve, be miserable and cry. Let your enjoyment be turned to dejection and your laughing to sorrow. Come on you wealthy!<br><\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(34,48,73,0.43);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/4schumann-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(34,48,73,0.43);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Der Wassermann<\/p>\t<\/div><p style=\"font-size: 14px;line-height: 16px;\">Robert Schumann (1810-1856)<br>Text: Justinus Kerner (1786-1862)<br><br>Es war in des Maien mildem Glanz,<br>Da hielten die Jungfern von T\u00fcbingen Tanz.<br><br>Sie tanzten und tanzten wohl allzumal<br>Um eine Linde im gr\u00fcnen Tal.<br><br>Ein fremder J\u00fcngling, in stolzem Kleid,<br>Sich wandte bald zu der sch\u00f6nsten Maid.<br><br>Er reicht ihr dar die H\u00e4nde zum Tanz,<br>Er setzt ihr auf&#8217;s Haar einen meergr\u00fcnen Kranz.<br><br>&#8220;O J\u00fcngling! warum ist so kalt dein Arm?&#8221;<br>&#8220;In Neckars Tiefen da ist&#8217;s nicht warm.&#8221;<br><br>&#8220;O J\u00fcngling! warum ist so bleich deine Hand?&#8221;<br>&#8220;Ins Wasser dringt nicht der Sonne Brand!&#8221;<br><br>Er tanzt mit ihr von der Linde weit:<br>&#8220;Lass&#8217;, J\u00fcngling! horch, die Mutter mir schreit!&#8221;<br><br>Er tanzt mit ihr den Neckar entlang:<br>&#8220;Lass&#8217;, J\u00fcngling! weh! mir wird so bang!&#8221;<br><br>Er fasst sie fest um den schlanken Leib:<br>&#8220;Sch\u00f6n&#8217; Maid, du bist des Wassermann&#8217;s Weib!&#8221;<br><br>Er tanzt mit ihr in die Wellen hinein:<br>&#8220;O Vater und du, o Mutter mein!&#8221;<br><br>Er f\u00fchrt sie in seinen krystallenen Saal:<br>&#8220;Ade, ihr Schwestern all zumal!&#8221;<\/p><\/div><\/div><\/div>\n<\/div>\n\n<div class=\"grids-area\" style=\"--_ga-column:3\/4;--_ga-row:1\/2;--_ga-m-desktop:0 0 0 0;--_ga-p-desktop:0 0 0 10px;--_ga-bg-desktop:transparent none;--_ga-zi-desktop:auto;--_ga-d-desktop:flex;--_ga-mw-desktop:calc(100% - 0 - 0);--_ga-m-tablet:0 0 0 0;--_ga-p-tablet:0 0 0 10px;--_ga-bg-tablet:transparent none;--_ga-zi-tablet:auto;--_ga-d-tablet:flex;--_ga-mw-tablet:calc(100% - 0 - 0);--_ga-m-mobile:0 0 0 0;--_ga-p-mobile:0 0 0 10px;--_ga-bg-mobile:transparent none;--_ga-zi-mobile:auto;--_ga-d-mobile:flex;--_ga-mw-mobile:calc(100% - 0 - 0)\">\n\n<div style=\"height:140px\" aria-hidden=\"true\" class=\"wp-block-spacer abstand_desktop\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(104,44,93,0.61);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/15kernis-1-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(104,44,93,0.61);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Effortlessly Love flows<\/p>\t<\/div><p style=\"font-size: 16px;\">Aaron Jay Kernis (*1960)<br>Text: Mechthild of Magdeburg<br><br>Effortlessly, Love flows from God into Man, like a bird who rivers the air<br>without spreading her wings.<br>Thus we move in His world,<br>One in body and soul.<br>As the Source strikes the note<br>Humanity sings.<br>Effortless, effortlessly.<br>The Holy Spirit is our harpist,<br>and all strings which are touched in Love<br>must sound. Effortlessly love flows from God into Man.<br>Effortlessly.<br><br>M\u00fchelos flie\u00dft die Liebe von Gott zum<br>Menschen, wie ein Vogel, der durch die Luft gleitet, ohne seine Fl\u00fcgel auszubreiten.<br>So bewegen wir uns in Seiner Welt,<br>eins in K\u00f6rper und Seele.<br>Wenn die Quelle den Ton anschl\u00e4gt,<br>singt die Menschheit.<br>M\u00fchelos, m\u00fchelos.<br>Der Heilige Geist spielt auf unserer Harfe, und alle Saiten, die er in Liebe anschl\u00e4gt, m\u00fcssen erklingen.<br>M\u00fchelos flie\u00dft die Liebe von Gott zum<br>Menschen.<br>M\u00fchelos.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(86,47,61,0.61);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/12tormis-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(86,47,61,0.61);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">S\u00fcgismaastikud<\/p>\t<\/div><p style=\"font-size: 16px;\">Veljo Tormis (*1930)<br><br>1 <strong>On hilissuvi<\/strong><br>Ja l\u00f5hnab angervaks ja tulilill ja ohakas.<br>On hilissuvi, on hilissuvi.<br>Ja pihlapuus on marjakobar,<br>ja m\u00e4nikus on kanarbik.<br>Ja seda suve ei tule enam ei tule enam seda suve.<br><br>Es ist Sp\u00e4tsommer.<br>Und es duftet der Johannisstrauch<br>und die Feuerblume<br>und die Distel.<br>Es ist Sp\u00e4tsommer.<br>Und die Eberesche<br>tr\u00e4gt Beerentrauben.<br>Im F\u00f6hrenwalde<br>bl\u00fcht Heidekraut.<br>Und dieser Sommer<br>kehrt nie mehr wieder.<br><br>7 <strong>Kanarbik<\/strong><br>Kurb lilla kanarbik meeletult l\u00f5\u00f5skab,<br>p\u00e4ikese viimane virvendus silmis.<br>Muidu k\u00f5ik on kui ikka,<br>need samad on nurmed,<br>need samad on teed,<br>ainult nende peal p\u00f5leb,<br>nende peal p\u00f5leb,<br>maailma suurune leek.<br><br>Trauriges lila Heidekraut<br>gl\u00fcht fassungslos,<br>letztes Geflimmer der Sonne im Auge.<br>Sonst ist es wie immer:<br>Die gleichen Fluren,<br>die gleichen Wege,<br>nur loht \u00fcber ihnen<br>die Flamme, gro\u00df wie die Welt.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(29,75,144,0.4);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/3poulenc-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(29,75,144,0.4);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Quatre petites pri\u00e8res de Saint Fran\u00e7ois d&#8217;Assise<\/p>\t<\/div><p style=\"font-size: 16px;\">Francis Poulenc (1899 &#8211; 1963)<br>Vier kurze Gebete des Franz von Assisi<br><br>2<br>Tout puissant, tr\u00e8s saint, tr\u00e8s haut et souverain Dieu;<br>souverain bien, bien universel, bien total;<br>toi qui seul es bon;<br>puissions-nous te rendre toute louange,<br>toute gloire, toute reconnaissance, tout honneur, toute b\u00e9n\u00e9diction;<br>puissions-nous rapporter toujours \u00e0 toi tous les biens. Amen.<br><br>Allm\u00e4chtiger, heiliger, h\u00f6chster und herrschender Gott;<br>guter Herrscher, allumfassend Guter, g\u00e4nzlich Guter;<br>Dir, dem einzig Guten;<br>k\u00f6nnten wir Dir jeden Lobpreis bringen,<br>jeden Ruhm, jede Dankbarkeit, jede Ehre, jede Segnung;<br>k\u00f6nnten wir Dir immerdar alles Gute darbringen. Amen.<br><br>3<br>Seigneur, je vous en prie, que la force br\u00fblante et douce de votre amour<br>absorbe mon \u00e2me et la retire de tout ce qui est sous le ciel<br>afin que je meure par amour de votre amour,<br>puisque vous avez daign\u00e9 mourir par amour de mon amour.<br><br>Herr, ich bitte Dich, dass die brennende und sanfte Kraft Deiner Liebe<br>meine Seele aufnimmt und von allem befreit, was unter dem Himmel ist,<br>damit ich Deiner Liebe vor Liebe sterbe,<br>da Du die G\u00fcte hast meiner Liebe vor Liebe zu sterben.<\/p><\/div><\/div><\/div>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div><div class=\"eihe-box eihe-fade\" style=\"background: rgba(86,52,69,0.65);border-radius:0px 0px 0px 0px;\"><img decoding=\"async\" src=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/14purcell-scaled.jpg\" \/><div class=\"eihe-caption\" style=\"background: rgba(86,52,69,0.65);align-items: flex-start;justify-content: flex-start;padding:20% 10% 10% 10%;\"><div class=\"eihe-title-cover\"><p style=\"font-size: 22px;line-height: 30px;\" class=\"eihe-title\">Lord, how long wilt Thou be angry<\/p>\t<\/div><p style=\"font-size: 16px;\">Henry Purcell (1659-1695)<br><br>Lord, how long wilt Thou be angry?<br>Shall Thy jealousy burn like fire forever?<br><br>O remember not our old sins,<br>but have mercy upon us, and that soon<br>for we are come to great misery.<br><br>Help us O God of our Salvation<br>for the glory of Thy Name:<br>O deliver us and be merciful unto our sins for Thy Name&#8217;s sake.<br><br>So we that are Thy people,<br>and the sheep of Thy pasture,<br>shall give Thee thanks for ever<br>and will alway be shewing forth Thy praise, from one generation to another.<br><br><em>(Luther, Fassung von 1912)<\/em><br>HERR, wie lange willst du so gar z\u00fcrnen<br>und deinen Eifer wie Feuer brennen lassen?<br>Gedenke nicht unsrer vorigen Missetaten; erbarme dich unser bald,<br>denn wir sind sehr d\u00fcnn geworden.<br>Hilf du uns, Gott, unser Helfer,<br>um deines Namens Ehre willen; errette uns und vergib uns unsre S\u00fcnden um deines Namens willen!<br>Wir aber, dein Volk und Schafe deiner Weide, werden dir danken ewiglich<br>und verk\u00fcndigen deinen Ruhm f\u00fcr und f\u00fcr.<\/p><\/div><\/div><\/div>\n<\/div>\n<\/div><\/div><div class=\"_3d-flip-book  fb3d-fullscreen-mode full-size\" data-id=\"460\" data-mode=\"fullscreen\" data-title=\"false\" data-template=\"short-white-book-view\" data-lightbox=\"dark-shadow\" data-urlparam=\"fb3d-page\" data-page-n=\"0\" data-pdf=\"\" data-tax=\"null\" data-thumbnail=\"\" data-cols=\"3\" data-book-template=\"default\" data-trigger=\"\"><\/div><script type=\"text\/javascript\">window.FB3D_CLIENT_DATA = window.FB3D_CLIENT_DATA || [];FB3D_CLIENT_DATA.push('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');window.FB3D_CLIENT_LOCALE && FB3D_CLIENT_LOCALE.render && FB3D_CLIENT_LOCALE.render();<\/script>\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-scaled.jpg\" alt=\"\" class=\"wp-image-323\" width=\"573\" height=\"764\" srcset=\"https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-scaled.jpg 1920w, https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-225x300.jpg 225w, https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-768x1024.jpg 768w, https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-1152x1536.jpg 1152w, https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-1536x2048.jpg 1536w, https:\/\/artmandel.de\/wp-content\/uploads\/2020\/07\/Buxtehude1-1120x1493.jpg 1120w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/figure><\/div>\n\n<h4 style=\"text-align: center; margin-top: 2.5em;\"><a href=\"https:\/\/artmandel.de\/en\/painting\/\" style=\"color: rgb(240, 97, 27)!important;\"><i class=\"fas fa-caret-left\"><\/i> malerei<\/a><\/h4><style>#menu-item-257 a {\n\tcolor: rgb(240, 97, 27)!important;\n}\n<\/style>","protected":false},"excerpt":{"rendered":"<p>malerei<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1288","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/pages\/1288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/comments?post=1288"}],"version-history":[{"count":1,"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/pages\/1288\/revisions"}],"predecessor-version":[{"id":1289,"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/pages\/1288\/revisions\/1289"}],"wp:attachment":[{"href":"https:\/\/artmandel.de\/en\/wp-json\/wp\/v2\/media?parent=1288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}